Love will keep us together/Love will tear us apart: A photography show.

Invitation - Love Will Tear Us Apart

Love Will Tear Us Apart, Invitation Image, Copyright 2011, Ana Gagliardi

Please join me Saturday May 7th for a stimulating exploration of images and ideas, choreographed by Ana Gagliardi:

http://getgoodspace.net/GetGoodSpace

 

The show consists of eighteen diverse photographers collaborating on: Love will keep us together/Love will tear us apart. I have asked the photographers to create an original image in keeping with the theme, translating as they understand it. They will not view one another’s work until the installation. This is an opportunity to create a group mind examining consequence, patterns and relationships.

In a 2008 essay for Orion Magazine, Bill McKibben wrote:

“Research has shown that when we live on car-filled streets our number of close friends drops by half. We eat half the meals we used to with friends, family, neighbors… our clothes come through the ether from the mysterious geography of Lands’ End. We don’t need each other anymore, and that’s the saddest thing we’ve done — sadder even than the scourge of climate change, which at least is anonymous and impersonal…The big question for this century may turn out to be how fast we can relearn the skill of neighborliness.”

My objective is to initiate community and connection for fellow artists who bring to life new insights and further questions: Where are we going? How did we get here? What do we need to do to change? How does change affect us? How can we live with difference and dissonance?

This show is about stories: how we see, what we feel, how the world is shaping us or how and if questioning and creativity are transposed to and transforming the social sphere.

Speaker: Susanne Sklar, a William Blake scholar, currently living in Wisconsin and emigrating to England late May for Oxford, will speak at 5 pm prior to the opening. Her subject of scholarship and book: How Beauty Will Save the World, a topic both engaging and transforming. I’ve provided this link to a CBC radio program featuring Sklar and two other artists. Please listen, it’s powerful stuff, about 50 minutes long and can be downloaded as a podcast.

“Dostoyevsky and Solzhenitsyn proclaimed that beauty will save the world and this essay explores how Blake’s prophetic writings reveal how beauty transforms individuals and societies. Beauty need not be a commodity, a thing to be craved. Beauty can be about perceiving the divine in every thing, and such spiritual materialism can engender social justice…The beauty of peace can reveal the interconnectedness of all things.”

-John Hopkins University Press

7 pm-10pm. Saturday May 7th at Defibrillator Performance Art Gallery, 1136 N. Milwaukee Avenue, just south of the Division and Milwaukee intersection.


The Painter Ryan with wounded hand.

The Painter Ryan Shultz with wounded hand. Copyright 2003, Stephanie Dean.

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Article on Bjorn Sterri’s work now on fstopmagazine.com

I had the pleasure of interviewing Bjorn Sterri for an article in F-Stop Magazine. The current issue is all about self portraiture: www.fstopmagazine.com Bjorn Sterri’s work: www.sterri.net

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Honorable Mention CENTER Awards

THE CURVE // 2011 AWARD RECIPIENTS

I am especially humbled and pleased to be selected for an Honorable Mention in the category of Dealer’s Choice  For the CENTER Curve Awards.

When you take into consideration the Juror’s statement from Dianne Perry Vanderlip (Curator, Gagosian Gallery, Los Angeles, CA; Curator Emeritus, Denver Art Museum):

“Over the course of a week, I looked at every single image several times, some of them over and over and over. The first to be eliminated were those I thought were too derivative of other well known artists who had already staked the same ground as the applicants. I saw too many works that looked like Ansel Adams, Tina Barney, Richard Billingham, Andreas Gursky, Loretta Lux, Gregory Crewdson, etc. And though everyone is influenced by someone, one must transcend the fine line between influence and direct appropriation in order to make the work one’s own.

Being a judge means bringing a very personal aesthetic to the process. I don’t have much interest in works that rely primarily on ‘arty’ technique… clever framing, fuzzy focus, smeared emulsions, etc. Though there are a lot of ways to make an image, most of those overworked methods result in visual clichés and are therefore limited in their appeal. They did not get very far in this competition.

We live in such a peripatetic time. Many of the works submitted emphasized the exotic and extraordinary places the photographers had visited. Some of those images were really stunning, but only a few transcended the fact of the place in favor of art. I think of Agatha Christie finding the most compelling stories in her own backyard.”

Dianne Perry Vanderlip

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Thanks to everyone that came out for the “In the Overlap” exhibition at Hopkinson House

Thank you friends and colleagues, for coming out to view the “In the Overlap” exhibition.
It was a fun night with some great reuniting.

"Stone Soup" on exhibit in the dining room.

Alice Feldt installing work by Jessica Zerby

Alice Feldt installing work by Jessica Zerby

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FourSight at Mixed Co.

FourSight
An Artists’ Consortium consisting of:

Stephanie Dean
Barbara Hirschfeld
Catherine Jasek
Katsy Johnson

Debuts “Civilized Waste” During River North Art Walk Friday, May 6.

FourSight, an artists’ consortium, is pleased to have it’s first collective showing of work at Mixed Co., 223 W. Erie Street in the heart of Chicago’s River North Gallery area.

The reception will be open to the public from 7 p.m. to 9 p.m..

Come, meet the artists, view the work and share some light refreshment.

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